BENNIE PETE is a tuba (sousaphone) player who in 1993 formed and still leads one of the most popular modern style New Orleans brass bands, the Hot 8. document.write(''); var ssaUrl = 'https://' + 'clickserv.sitescout.com/conv/385572bc241a0ccb';new Image().src = ssaUrl; (function(d) { var syncUrl = 'https://' + 'pixel.sitescout.com/dmp/asyncPixelSync'; var iframe = d.createElement('iframe'); (iframe.frameElement || iframe).style.cssText = "width: 0; height: 0; border: 0;"; iframe.src = "javascript:false"; d.body.appendChild(iframe); var doc = iframe.contentWindow.document; doc.open().write(''); doc.close(); })(document); Gregg Stafford and Bennie Pete, Leader of the Hot 8 Brass Band. Dance maintained a prominent position in these balls. Makes you feel alive. Hire the Band A music that makes you feel free and easy. Gregg was also an early member of the first generation of the Fairview Baptist Church Brass Band, the kids’ group founded by legendary banjo and guitar player Danny Barker. “What’s better than Christmas music?” you ask? Deep Roots: The History of the New Orleans Second Line Second lines trace their roots back to the 19th century and the fraternal societies and neighborhood organizations that collectively provided insurance and burial services to members, especially among the African American community. Over the years he played with many brass bands, including the Young Tuxedo, Royal, Excelsior, Magnolia, Olympia, Treme, and Ellyna’s Second Liners. And dance we did and always will to the birth of American music. Bennie Pete and the Hot 8 have overcome a number of tragic losses and devastating tragedies to also become a popular touring band with a large international following. Early New Orleans jazz and the profusion of styles that resulted from it all employed variations on second line rhythm. He is best known today for his classic clarinet tone and style with his Original Liberty Jazz Band and the Dr. Michael White Quartet. It was then that the first societies and krewes began to develop. Brass Roots is an unprecedented look into the history, culture and people that make up contemporary brass band music in New Orleans. New Orleans was a city of music and dancing quite some time before Mardi Gras became Mardi Gras as we know it. of some kind or within the vein of culture-bearers. We would like to say "Thank You" to everyone who have helped and supported us through these long years. He currently performs with several groups, including his own Jazz Hounds and the Young Tuxedo Brass Band, which he has led since 1984. White has been a longtime consultant for the New Orleans Jazz & Heritage Festival. After the first of the new year, New Orleanians patiently wait for the perfect moment to trade out all of those Christmas albums with some “Mardi Gras Mambo,” “Iko Iko,” and all of the vibrant tunes of the Carnival season. Balls and galas were also common during those early days. For his many varied contributions to local music and culture, he was awarded the Keller Endowed Chair in the Humanities. Bennie Pete expresses a sincere understanding of today’s modern brass band tradition of which he is a stellar representative. early jazz legends. Carnival became more organized during the 19th century. These marching groups were known for playing in parades and the city’s infamous “jazz funerals,” but little is known about their origins, style, continuation, and evolution – especially since New Orleans brass bands were not recorded until the 1950s and their functions continued largely as an underground, unpublicized black community event into the 1980s. A New Orleans native, White received a Ph.D. in Spanish from Tulane University and taught at Xavier University since 1980. In 1958 The young Tuxedo became the first New Orleans brass band to record on a major label, producing the Atlantic record’s iconic 1958 Jazz Begins – a collection of classic parade and jazz funeral music. The Hot 8 has remained as one of the favorite bands in community “second line” parades and funerals but has also expanded to perform in nightclubs and at festivals. All suppliers requiring payment for goods or services must register in BRASS in order to submit invoices against a PO or a Contract/Agreement and receive payment for goods or services rendered. Before then, the New Orleans style was frequently simply called "ragtime" (Sidney Bechet continued to call his music "ragtime" throughout his life), along with such local terms as "hot music" and "ratty music". He went on to play the trumpet (and occasionally the bass drum) with several other brass bands and smaller jazz groups before becoming the leader of the Young Tuxedo Brass Band after the death of leader Herman Sherman. Other cities may hold the title of having the first Mardi Gras, but none can compare to the elaborate music and celebration that New Orleans has created. They also appeared in the Master P rap video Hootie Hoo and in Spike Lee’s 2006 Hurricane Katrina documentary, When the Levees Broke. environment. Historically, the New Orleans jazz funeral could last up to a week and sometimes even included a parade. With so much history and too many songs to list, the music of Carnival time is one of the best parts of the city’s culture. Carnival became more organized during the 19th century. Brass horn musicians dominated the lower-class music market, and several brass bands arose during that time. Not everyone could afford to attend a fancy ball during Mardi Gras, but that did not stop people from enjoying the season. Today he lives around the corner from Buddy Bolden’s house and close to the homes of several other uptown early jazz legends. New Orleans Brass Bands brings US three musical generations of renowned second liners the classic sound of the Liberty Brass Band, the tradition-dening Treme Band, and the younger funk musicians of the Hot 8 Brass Band. To a core of African American New Orleanians, the brass band tradition has remained an important socially meaningful part of life that connects them to ancestral traditions and maintains the spirit and ceremonial practices that led to the development of jazz. Now that we’ve gotten all of the good tidings of joy and cheerfulness out of the way, it’s time for the best music of the year. Your tax-deductible donations to support future Zoom presentations and other jazz education programs are gladly accepted. This original music comes in many forms, and all of the great local musicians have performed Mardi Gras music during Carnival season for years and years. Later in the program White will introduce and lead a discussion with two other important veteran figures in brass bands: trumpeter Gregg Stafford and tuba (sousaphone) player Bennie Pete, leader of the Hot 8 Brass Band. These groups of upper-class citizens began structuring their balls to include queens, kings, and royal courts. The Marsalis Family’s rendition of “The 2nd Line,” a traditional New Orleans song, combines aspects of many of these styles, as I indicate in my analysis below. During the late 1800s, before jazz surfaced as a genre, the music of Mardi Gras gathered influences from the sounds of the Caribbean, Africa, France, and Spain, all while incorporating Native American chanting. Company Name - new orleans, la. 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